Most of the books and stories I’ve written have been inspired by a single line. I’ll get that first line in my head and roll it around for a few weeks or months, then I start writing. More often than not, the first line changes from what it was initially, but the original line is the all-important motivator, the kickstarter. It is to blame for everything that follows.
The first line of the book I just finished writing was:
People who knew me before that day think I’m dead.
That line got me going. I’ve edited it since then, but the idea of that first line is the crux of my whole novel.
The Atlantic posted a little article today titled, “Why Stephen King Spends ‘Months and Even Years’ Writing Opening Sentences.” Here is some of what he had to say about opening sentences and his process:
“There are all sorts of theories and ideas about what constitutes a good opening line. It’s tricky thing, and tough to talk about because I don’t think conceptually while I work on a first draft — I just write. To get scientific about it is a little like trying to catch moonbeams in a jar.
But there’s one thing I’m sure about. An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”
“…a good opening sentence really begins with voice. You hear people talk about “voice” a lot, when I think they really just mean “style.” Voice is more than that. People come to books looking for something. But they don’t come for the story, or even for the characters. They certainly don’t come for the genre. I think readers come for the voice.”
“We’ve talked so much about the reader, but you can’t forget that the opening line is important to the writer, too. To the person who’s actually boots-on-the-ground. Because it’s not just the reader’s way in, it’s the writer‘s way in also, and you’ve got to find a doorway that fits us both. I think that’s why my books tend to begin as first sentences — I’ll write that opening sentence first, and when I get it right I’ll start to think I really have something. When I’m starting a book, I compose in bed before I go to sleep. I will lie there in the dark and think. I’ll try to write a paragraph. An opening paragraph. And over a period of weeks and months and even years, I’ll word and reword it until I’m happy with what I’ve got. If I can get that first paragraph right, I’ll know I can do the book.”
“A book won’t stand or fall on the very first line of prose — the story has got to be there, and that’s the real work. And yet a really good first line can do so much to establish that crucial sense of voice — it’s the first thing that acquaints you, that makes you eager, that starts to enlist you for the long haul. So there’s incredible power in it, when you say, come in here. You want to know about this. And someone begins to listen.”